David Moy’s work emerges from his discomfort with the current age of burnout, image overload, and the resulting disorientation and fatigue within the mental health landscape. Through text and printed media, he interrogates the compounding nature of images, stacking and layering them until their totality becomes nothing—or everything. By appropriating images, videos, and phrases designed to capture attention, he reinterprets their methods of control. Utilizing contemporary digital printing processes, he subverts the very technologies of reproduction to serve his own purposes of negation, slippage, and disorientation. Through obfuscation and erasure, he creates documents that demand meditation and prolonged viewing—an extended form of attention. In doing so, he reintroduces what the internet... Read more