Le Travail, a sculpture by Guillaume De Groot that disappeared from public space opposite Kanal, anchors the project. Designed in 1879 and cast in 1890, this allegory of labour threads through an exhibition of archival material and an experimental chatbot that connects histories of labour to contemporary questions about AI, automation and democracy. The exhibition's title recalls the Salon de Monplaisir, the first "people's house" in Brussels, situated on a site the museum overlooks today. There, nineteenth-century weaver and playwright Jacob Kats used theatre and public meetings to raise workers' awareness of their rights. From this installation, a series of public walks unfolds across the canal area. Local socio-cultural organisations working on inclusion and the right to work play a central...