Studio Pramudiya | NPI
Marin Driguez
Dani Canto
David Visnjic
Studio Pramudiya | NPI
Working at the intersection of dance, performance and visual art, Sickle creates works for both the black box and the white cube. Through a process of collecting, transforming and mutating material from across her practice, A Choreographic Exhibition brings together works spanning her entire career alongside new productions, creating unexpected connections and resonances. At Kanal, Sickle revisits nearly a decade of inquiry into gesture and the ways bodies become charged with meaning. Seemingly simple gestures – a raised arm, a hand signal, a body lying down or a flag passed between bodies – are performed and reconfigured to expose layered histories of movement. Isolated, extended and resituated, these gestures carry a social and political force, from protest and solidarity to fatigue and...
Working at the intersection of dance, performance and visual art, Sickle creates works for both the black box and the white cube. Through a process of collecting, transforming and mutating material from across her practice, A Choreographic Exhibition brings together works spanning her entire career alongside new productions, creating unexpected connections and resonances. At Kanal, Sickle revisits nearly a decade of inquiry into gesture and the ways bodies become charged with meaning. Seemingly simple gestures – a raised arm, a hand signal, a body lying down or a flag passed between bodies – are performed and reconfigured to expose layered histories of movement. Isolated, extended and resituated, these gestures carry a social and political force, from protest and solidarity to fatigue and exhaustion. Beyond the museum as a repository of static objects, Sickle proposes a space where gestures can be held, rehearsed and reimagined. Amid fractured attention, algorithmic image circulation and fewer opportunities for collective encounter, the exhibition asks what gestures can do, how they move between bodies and what happens when they are repeated or become collective. A Choreographic Exhibition combines fragments from Free Gestures (2018), Relay (2018), The Sadness (2020–22), Echoic Choir (2021), Holding Present (2023) and the new production Clay Bodies (2026). Rather than simply re-performing these works, it forms an ever-shifting landscape of movements, voices, images and sounds. In this continuous transformation, the museum becomes a testing ground for how bodies move together. This is the first edition in a recurring series of live projects at Kanal, revisiting the work of dance and performance artists through exhibition formats.| Monday | Closed |
| Tuesday | Closed |
| Wednesday | 11:00 - 19:00 |
| Thursday | 11:00 - 22:00 |
| Friday | 11:00 - 19:00 |
| Saturday | 11:00 - 19:00 |
| Sunday | 11:00 - 19:00 |
Studio Pramudiya | NPI
Marin Driguez
Dani Canto
David Visnjic
Studio Pramudiya | NPI
Working at the intersection of dance, performance and visual art, Sickle creates works for both the black box and the white cube. Through a process of collecting, transforming and mutating material from across her practice, A Choreographic Exhibition brings together works spanning her entire career alongside new productions, creating unexpected connections and resonances. At Kanal, Sickle revisits nearly a decade of inquiry into gesture and the ways bodies become charged with meaning. Seemingly simple gestures – a raised arm, a hand signal, a body lying down or a flag passed between bodies – are performed and reconfigured to expose layered histories of movement. Isolated, extended and resituated, these gestures carry a social and political force, from protest and solidarity to fatigue and...
Working at the intersection of dance, performance and visual art, Sickle creates works for both the black box and the white cube. Through a process of collecting, transforming and mutating material from across her practice, A Choreographic Exhibition brings together works spanning her entire career alongside new productions, creating unexpected connections and resonances. At Kanal, Sickle revisits nearly a decade of inquiry into gesture and the ways bodies become charged with meaning. Seemingly simple gestures – a raised arm, a hand signal, a body lying down or a flag passed between bodies – are performed and reconfigured to expose layered histories of movement. Isolated, extended and resituated, these gestures carry a social and political force, from protest and solidarity to fatigue and exhaustion. Beyond the museum as a repository of static objects, Sickle proposes a space where gestures can be held, rehearsed and reimagined. Amid fractured attention, algorithmic image circulation and fewer opportunities for collective encounter, the exhibition asks what gestures can do, how they move between bodies and what happens when they are repeated or become collective. A Choreographic Exhibition combines fragments from Free Gestures (2018), Relay (2018), The Sadness (2020–22), Echoic Choir (2021), Holding Present (2023) and the new production Clay Bodies (2026). Rather than simply re-performing these works, it forms an ever-shifting landscape of movements, voices, images and sounds. In this continuous transformation, the museum becomes a testing ground for how bodies move together. This is the first edition in a recurring series of live projects at Kanal, revisiting the work of dance and performance artists through exhibition formats.| Monday | Closed |
| Tuesday | Closed |
| Wednesday | 11:00 - 19:00 |
| Thursday | 11:00 - 22:00 |
| Friday | 11:00 - 19:00 |
| Saturday | 11:00 - 19:00 |
| Sunday | 11:00 - 19:00 |