RePose ExPose CounterPose offers a retrospective of artist Tarrah Krajnak, born in Lima in 1979 and adopted in the United States, whose work explores identity, memory, and art history through photography, performance, and archival practices. Her practice questions the search for origins, the interplay between the personal and the political, and critically revisits the canons of photography. The exhibition is structured around two major series from the Fondation A collection: 1979: Contact Negatives (2019), combining cyanotypes, staged self-portraits, and Peruvian press images to evoke adoption and lost memory; and Master Rituals II. Weston’s Nudes (2020), in which Krajnak reenacts Weston’s models’ poses to question the place of women in the history of photography. These works resonate with... Read more