'Infinite Play' aims to level the social hierarchies built into the site’s historical architecture as a masonic temple. Eschewing the symbolic languages of the building’s past use, she overlays an entirely different complex of symbols, rituals and games. Marina Pinsky examines the way in which we can read images as material, spatial, and ideological models of the world. Using photography as a basis, she creates artworks in a range of media that expand lens-based ways of seeing into three dimensions, often using sculptural means. Her work has been shown in institutions such as the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS, Brussels, Belgium; Vleeshal, Middelburg, Netherlands; SMAK, Ghent, Belgium; and Kunstverein Düsseldorf, Germany. Her work was included in the 13th... Read more