In the framework of europalia georgia, Thea Djordjadze (°1971, Tbilisi) creates a new body of work, examining and challenging not only the formal and material qualities of the post-industrial architecture of the WIELS building, but also its institutional context. This is a continuation of her interest in display, in presentation devices such as frames and vitrines – which often feature as integral elements of her work – or, more broadly, in the conditions for visibility.
Monday | Closed |
Tuesday | 11:00 - 18:00 |
Wednesday | 11:00 - 18:00 |
Thursday | 11:00 - 18:00 |
Friday | 11:00 - 18:00 |
Saturday | 11:00 - 18:00 |
Sunday | 11:00 - 18:00 |
In the framework of europalia georgia, Thea Djordjadze (°1971, Tbilisi) creates a new body of work, examining and challenging not only the formal and material qualities of the post-industrial architecture of the WIELS building, but also its institutional context. This is a continuation of her interest in display, in presentation devices such as frames and vitrines – which often feature as integral elements of her work – or, more broadly, in the conditions for visibility.
Monday | Closed |
Tuesday | 11:00 - 18:00 |
Wednesday | 11:00 - 18:00 |
Thursday | 11:00 - 18:00 |
Friday | 11:00 - 18:00 |
Saturday | 11:00 - 18:00 |
Sunday | 11:00 - 18:00 |