In the framework of europalia georgia, Thea Djordjadze (°1971, Tbilisi) creates a new body of work, examining and challenging not only the formal and material qualities of the post-industrial architecture of the WIELS building, but also its institutional context. This is a continuation of her interest in display, in presentation devices such as frames and vitrines – which often feature as integral elements of her work – or, more broadly, in the conditions for visibility.

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