The exhibition, set on WIELS’ second floor, is crossed diagonally by ‘Oilopa Allee’, a vanishing point named after Europa Allee, an actual boulevard making the connection between the European quarters in Brussels and the European Central Bank in Frankfurt, the two cities between which the artist divides her time. It articulates several groups of older and recent paintings – some of which have been specially produced for the occasion –, and casts various characters and iconographies which the artist has investigated over the last decade, such as the morecorn (an inflated version of the unicorn), spray paint cans and paint brushes, female sockets, or new variations on the energising coffee economy as a multifocal symptom of extraction, dependence, productivity and leisure. By assuming a heterogeneity... Read more